London, United Kingdom

Welcome (Hoxton Hall, London)

Inhabited Composition III

Welcome (Hoxton Hall, London) Immersive Event - Main Image

The interactive performance Welcome invites audiences to reflect on their interactions with people they don't know in new contexts. The performance approaches the concept of arrival as a fresh start and a welcoming point, intentionally shaping the narrative to evoke a sense of renewal and invitation. Participants are equipped with full-face masks and headphones. The masks symbolise identity diversity, introducing a transformative element. This prompts a fresh outlook, empowering individuals to rediscover the familiar from a different perspective. The headphones deliver a sound narrative constructed through audio components such as music, sound effects, and ambient sounds. Coupled with facilitation by performers in unconventional locations, this invites individuals to delve into their imagination. It fosters the creation of new visual scenarios, encouraging a unique and immersive narrative exploration. The concept behind Welcome stems from an urgent need to establish welcoming atmospheres in our communities, fostering the integration process and encouraging cultural exchange.

Audience Role

This is a fully interactive experience. All participants will be required to wear headphones and a full-face mask for the duration of the performance. There is no speaking involved, but active engagement through movement.

Ages: 13 +

Content Advisories

No content advisories
No sexual content

Interaction Advisories

Light (business/acquaintance) contact

Mobility Advisories

Event is wheelchair accessible
Extended standing
Moderate movement required
Use of full face mask
Use of headphones
Walking
Wheelchair accessible

Tags

Full face mask
headphones
Movement

About Belén Yáñez

Belén L.Yáñez is a performance maker, visual artist and educator. Her work focuses on audience interactivity and is concerned with human interactions, identity and feminism. As an artist, collaborator and founder of interdisciplinary collective Plutonyka, she produces experiences that challenge art/audience relationships, creating spaces that push boundaries of personal interaction.