Edinburgh, United Kingdom

'Funeral'

A collective ritual about the finiteness of things

'Funeral' Immersive Event - Main Image

Funeral: 'I don't believe in God but I miss him?' (Nothing to Be Frightened Of, Julian Barnes). A collective ritual about the finiteness of things. It will start in the dark. We will greet others and say goodbye. There will be singing and pretending. There will be light and room for darkness. We'll light candles, eat and drink, and celebrate life. And all of that will end. Welcome. A theatrical ceremony, a new ritual that brings people together. Because everything is finite and we are going to have to live with that.

Audience Role

After interactive shows about economy (£¥€$), democracy (Fight Night) and online radicalisation (TM), Ontroerend Goed looks the audience and death in the eyes.

Ages: All ages

Content Advisories

Description of content warnings not provided

Interaction Advisories

No physical contact with performers

Mobility Advisories

Event is wheelchair accessible
No mobility advisories

Tags

Interactive
theater

About ONTROEREND GOED

Theatre-performance-group Ontroerend Goed (a punning name, roughly translated as “Feel Estate”) produces self-devised work grounded in the here and now, inviting their audiences to participate as well as observe. They first emerged on the international scene in 2007, with ‘The Smile Off Your Face’, a one-on-one show in which the audience is tied to a wheelchair and then blindfolded. Their hit show ‘Once and For All’ was an uncompromising celebration of raw teenage energy on stage. With every new piece of work, Ontroerend Goed provides an intense experience constructed in reality; life goes on during the performance. The company has won numerous prizes across Europe and has hit New York, Sydney, London to critical acclaim. Their work is currently being performed in countries around the world Ontroerend Goed functions as a collective guided by the artistic director Alexander Devriendt. Convinced that every idea deserves its own brand of artistic expression, the company cherishes a sense of ownership for every single contributor to their work, from actors to light designers, scenographers to conceptual thinkers. Ontroerend Goed fabricates possible realities that question how we as individuals position ourselves in the world today. Covering a history of the universe in one evening, turning spectators into voters who eliminate actors, guiding strangers through a labyrinth of mirrors and avatars to meet themselves, the company has made it its trade­mark to be unpredictable in content and form.